what what whaaaaa?!?!!

obviously last week's south park must be discussed. and that odd but amusing it's always sunny should be mentioned (and now has been). but first--

summer heights high. worst advertising campaign of all time, but a rare free half hour on sunday led me to watching, and i was blown away. the best mocumentary style show yet, perfectly capturing these personalities. possibly the best pilot i've ever seen. start watching if you aren't.

and 'park. less than 24 hour turn around? how'd they do that? my guess: they assumed obama was going to win (and figured if he didn't they'd just do the episode anyways and bite the bullet?), made the episode's shell, and fought like hell to get the details in in time. whatever the case, a great episode.

and entourage continues like it's been all season. awesome.

my apologies that this blog has become only about two or three shows. more to come as soon as there's time.

ohmygodohmygodohmygodohmygod...

lots to update.

first: WE HAVE A NEW PRESIDENT COME JANUARY AND IT'S THE RIGHT ONE.

a few years ago, when time/newsweek/otherfakeishnewsmagazine came out with a barak cover and the question: is he our next president, i remember being ecstatic that the question could even be asked. never could i have dreamed that the answer would be yes. thank god, america. faith is restored.

now, on to the show.

the last two episodes of the office have been unreal good. so, so awkward, yet so perfect. they've gotten back to their roots by moving on--if that makes sense.

entourage: another two great ones. ari handled the offer semi-perfectly (i'd have liked to have seen him take the job, but this works, too), and smokejumpers has the makings of a great arc. and all of the characters have for the first time in the show's history REALLY hit their strides. let's see how this all plays out.

south park. two weeks ago: abysmal. confusing as all hell. as a huge pan flute comedy fan (check my track record), i found this to be a terrible use of a potentially brilliant set piece. and stan's dad? but it was all just a setup for one of the most brilliant episodes of the past few years. bravo. all i couldn't understand--why send the kids to peru? why not just send them somewhere else? or kill them? if you know craig's the key, why even put him in the same country as the lock? amazing, though.

it's always sunny. rob thomas and sinbad's episode was just kind of confusing--the least sensible one yet (which is saying a lot), but still hysterical. last week's, however, with the mail room jobs and dee's heart attack, is among the best ever. it was politically poignant ("we don't have government provided health care in this country?! what is this, socialism?") and hysterical (charlie, as per usual, was unreal).

24's on its way back, as is breaking bad. --or breaking bad might already be back, actually. i really should be more on top of all this.